Frank stella

I found the colour of this artist used on his work has a similar style with Takashi, so I am interest to know more about his work.

I actually don’t know about him as much as Takashi, and I am the person who hate rough drawings and I not a fan of college. I also not quite sure what he try to express the meaning or concept from his college or painting piece. However, his works are very interesting to look at and I could spend 15 minutes just looking the detail line sketches and different pieces of drawings from one big college work.

 

The one thing that I like the most about his work is the way he used the colours, very effective and stunning range of colour tone like he focused on using primary colours so that he could match with different pieces of drawings and mix it to produce his outcome.

The other thing I like about his line sketches are structured. I think he is so good at structure the line into a 3D subject. He draws each line drawings look so different to each other.

Therefore, I would like to use he style on my design garment epically the lines sketches.     

 

Frank Stella is an American who born in 1936, he is painter and printmaker and he live in New York until now, his works are minimalism and post-painterly abstraction.

His work also became more three-dimensional to the point where he started producing large, free-standing metal pieces, which, although they are painted upon, might well be considered sculpture.

he use aluminum as the primary support for his paintings. In the 1970s and 1980s progressed, these became more elaborate and exuberant and used Day-Glo colors and scrawled brushstrokes.

 

"The starting point for the art cars was racing livery. In the old days there used to be a tradition of identifying a car with its country by color. Now they get a number and they get advertising. It’s a paint job, one way or another. The idea for mine was that it’s from a drawing on graph paper. The graph paper is what it is, a graph, but when it’s morphed over the car’s forms it becomes interesting, and adapting the drawing to the racing car’s forms is interesting. Theoretically it’s like painting on a shaped canvas."